Andrea Carlson: Red Exit – Whitney Museum of American Art

Andrea Carlson, Red Exit, 2020. Oil, watercolor, opaque watercolor, ink, acrylic, colored pencil, ball-point pen, fiber-tipped pen, and graphite pencil on paper, sixty sheets, 115 × 183 in. (292.1 × 464.8 cm) overall. Collection of the artist; courtesy Bockley Gallery, Minneapolis. Photograph by Rik Sferra
In her new work, Red Exit, Andrea Carlson (b. 1979, Grand Portage Ojibwe) presents a panoramic seascape informed by ideas of re-creation and renewal. Vibrant, prismatic motifs—some drawn from the land of the artist’s ancestral home, and others from effigies, petroglyphs, and navigational signs—pulsate and collide across a series of horizons. The composition is anchored by a loon, known in the Ojibwe re-creation narrative as an Earth-Diver, who alongside other surviving animals, helps remake the world. Carlson also incorporates the infinity sign from the flag of the Métis People and the silhouetted figure of “Man Mound,” a destroyed earthwork—fractured by a road—that appears here to rise up from the land. Through her images, which take shape as a continuous wake pattern, she invokes moments of resistance and empowerment. Symbols of Native advocacy come together in a gesture of reclamation, creating new narratives of Indigenous experience in North America. While Red Exit confronts the ongoing erasure of Indigenous cultures, it is, in the artist’s words, a celebration of “the place we (Native People) reserve for ourselves . . . places of joy amidst removal, exclusion, and attempted assimilation.”
Alongside prints and multidisciplinary projects, Carlson primarily makes large-scale, multi-part works on paper through a combination of drawing and painting. Highly intricate and graphic, these compositions coalesce into expansive, disorienting scenes that often evoke futuristic and, at times, apocalyptic worlds.
Organized by the Whitney in partnership with TF Cornerstone and High Line Art, Red Exit is the next work in a series of public art installations that has featured works by key American artists, including Njideka Akunyili Crosby (2015–16), Do Ho Suh (2017–18), Christine Sun Kim (2018), and Derek Fordjour (2018–19).
Andrea Carlson: Red Exit is organized by Melinda Lang, Senior Curatorial Assistant.
Andrea Carlson: Red Exit is part of Outside the Box programming, which is supported by a generous endowment from the Jacques and Natasha Gelman Foundation.
Additional support is provided by the Artists Council. 
Red Exit: Andrea Carlson and S̶A̶N̶T̶I̶A̶G̶O̶ X in conversation
6 pm
Installation view of Andrea Carlson: Red Exit (95 Horatio Street, Whitney Museum of American Art, New York, January 25, 2020-September 2021). Photograph by Ron Amstutz
Installation view of Andrea Carlson: Red Exit (95 Horatio Street, Whitney Museum of American Art, New York, January 25, 2020-September 2021). Photograph by Ron Amstutz
Installation view of Andrea Carlson: Red Exit (95 Horatio Street, Whitney Museum of American Art, New York, January 25, 2020-September 2021). Photograph by Ron Amstutz
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