No where else in the world can you find the range of disciplines in one school. Over the last 50 years as we forged new programs, built our home in New York and expanded to our global academic centers, institutes emerged. Each are built with shared values, common goals, and a priority for putting students first. The result – a place where artists and scholars create the future.
High school students participate in college-level artistic training in New York City and online. These intensive and enriching courses are taught by Tisch undergraduate faculty.
Visiting students and non-majors are invited to take classes during January Term, Spring at Tisch, and Summer. Earn credits towards your major or minor, build your résumé with an internship, or take classes to change careers. Come be inspired by New York City and our international sites.
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Experience the world in a whole new way. Our short-term and semester-long study abroad programs are specially designed to draw on the artistic strengths of our global partners and incorporate the rich history, techniques and traditions of each country.
The Office of Special Programs at Tisch School of the Arts provides access to the arts. Whether you’re an NYU or visiting college student, high school student or working professional, we provide you with the introductory exposure to the performing or cinematic arts and the advanced-level training to grow your craft.
The Office of Student Affairs comprises 19 professionals with one mission: To help you get the most out of your Tisch education with the least amount of wear and tear along the way.
Launched in September 2014 by Dean Allyson Green as a pilot effort to identify and establish a set of best practices, the Tisch Initiative for Creative Research (TCR) serves as a research nexus, supporting and highlighting inter-disiciplinary and collaborative research led by Tisch faculty and students.
Mar. 4 – Apr. 5 2021
Thursday – Monday
12:00 AM — 11:59 PM Download .ics
Kimmel Windows – West 3rd & LaGuardia Map it
Photo: Cydney Blitzer from the project An Adoptee Story
SHOW TWO is an exhibition featuring works in photography, digital imaging, and multimedia by 11 graduating seniors from the Class of 2021 in New York University’s Department of Photography & Imaging at the Tisch School of the Arts. It is the second of three shows featuring thesis projects from the Class of 2021 on view in the window vitrines along LaGuardia Place and West 3rd St. at the NYU Kimmel Center (60 Washington Square South).
SHOW TWO will remain on view through April 5, 2021.
Там на Балкана | There, on the Balkan
By masking as a kuker – a pagan spirit chaser – and retreating into the Balkan mountain range, I aim to rediscover what we Bulgarians are repeatedly taught as children, but rarely experience as adults: the power and mysticism of Bulgaria. Though our current lives have nothing to do with the greatness of our nation that we once learned about in our patriotically charged history classes, one thing that always lifts our spirits is our culture. The cure for these feelings of insignificance is found in our rituals, our folklore, our songs: they bring the Bulgarian spirit to life. Transforming myself into a kuker allows me to chase the evil spirits of doubt, shame and irrelevance; to rediscover my roots; and to submit to the mystical power that the Balkan holds.
Follow on Instagram @gabbiealeksova
Soy Quien Soy (I am who I am)
Soy Quien Soy follows Latina women redefining their Image. Often times we are photographed through a white gaze which portrays a false image. It also perpetuates Eurocentric beauty standards on to POC. By allowing each model to pick out what clothes, makeup, and location they wanted to be photographed in, this gave them the power to control their image. The way these models chose to represent themselves differs from the predetermined image of them created through prejudices and stereotypes. Instead of being defined through the gaze of an outsider, the subjects hold power of their image.
Follow on Instagram @melody_ball
An Adoptee Story
As an adoptee, I ponder many questions that may never be answered. Perhaps it is these unanswered questions that drive me to speak to the question of what it feels like to be an adoptee. To feel completely alone with thoughts that cannot be rationalized away. To long for a past which eludes you. To be stuck between two different cultures, two different worlds, and one enigmatic vessel. My experiences can only convey limited aspects of what it means to be an adoptee, but it is the goal that I strive towards both in life and in art.
Visit the artist on Vimeo
Follow on Instagram @cydneyblitzer
The Tibetan Nanny
The Tibetan nanny has evolved into a highly sought-after commodity in places like Manhattan more than two and a half decades after they began immigrating en masse. Tibetan women often gravitated toward positions that would help them acclimate to American culture, and their cultural tenets of kindness, compassion, and patience made them well suited to positions in child care. The Tibetan Nanny explores both the relationship between women currently employed as nannies and their second-children, as well as former nannies who began their immigration journey in the industry.
Visit the artist’s website at https://www.pemadolkar.net/
Follow on Instagram @pemadolkar
Toile de Jouy (Cloth from Jouy)
To help me fall asleep as a child, I would create stories about the cherubs and couples pictured in the romance themed toile de Jouy curtains on my bedroom windows. While at home during the COVID quarantine, I spent more time with those images from my childhood, a nostalgic form of comfort during tumultuous times. Thinking about my French heritage, I started exploring the history of toile fabrics and their pre-Revolution French origins, finding echoes of current political discussions. As described in a recent New York Times article "Why We Reach for Nostalgia in Times of Crisis": "nostalgia serves as a kind of emotional pacifier, helping us to become accustomed to a new reality that is jarring, stressful and traumatic." Just as these scenes were an idealized escape for the 18th century French, these images represent a refreshing break from the chaos of our current times.
Visit the artist’s website at http://chloedugourdphotography
Follow on Instagram @chloedugourdphotography
Once We Meet Again
Rockaway in Queens is a special place where people are connected to their environment as much as the people around them. If you walk from one end of the island to the other end, you will see how people try to overcome their differences and coexist in an environment of the clash between nature and man. By capturing the environment that Rockaway is surrounded by I’m able to display its history, multicultural background, and effects of natural disasters.
Visit the artist’s website at www.mumagenc.com
Follow on Instagram @mumagenc
A Town in America
A unique subset of the South Asian population in the United States has evolved to be one of the most affluent minorities, with a substantial population ensconced in the suburbs. Using the folklore of New England (a landscape incessantly represented by whiteness) as a quaint and ideal backdrop, "A Town In America" attempts to reinterpret traditional imagery of suburbia by inserting South Asian personalities .This project also explores the rapidly changing demographics of suburbia and the intersection of minority status and privilege present in South Asian spaces, while acknowledging that the peace of a life in the suburbs can oftentimes be complicated by requirements of assimilation and the idea of “The American Dream”.
Follow on Instagram @kayva7
The Sociolinguistics of Edible Women
The Sociolinguistics of Edible Women makes visible the invisible violence and oddity of nicknames like "honey" or "sugar" that render women edible objects through covert, cutesy language. The images are an attempt to not only personify this phenomenon but make the gaze upon it uncomfortable rather than desirable.
Visit the artist’s website at https://www.meghanmarshall.work/
Follow on Instagram @meghan.marshall
Clara Jeanne Reed
Inspired by Ovid’s Metamorphoses, a classical epic dating back to 8 A.D that details various myths surrounding ideas of physical and emotional transformation, this series explores the romanticization of mythologies. Drawing inspiration from history painting style, prevalent in Italian renaissance, these photographs aim to intentionally romanticize history to highlight our problematic obsession with the past, and how the body (most often female) is objectified and transformed in order to conform to notions of desire. Many of these myths are disturbingly problematic and violent, but often disregarded under a veil of beauty. The creation of this project has become an investigation into how history and folklore has shaped the way we view notions of power and space, who has the ability to move through it, and who has the voice to tell us the story.
Visit the artist’s website at https://www.clarajeannereed.com/
Follow on Instagram @clarajeannereed
Though the process of image creation in the camera may be comparable to our eyes, the photographic process stops in similarity as the viewer must interpret the captured scene like any other stimulus that lay before it. Through the photograph, we are viewing reflections of stimuli that once existed, but are now distorted by two-dimensionality, memorialized time, and lost-context. The image lives as a true hallucination of the mind where the soul of the landscape is captured, but its material, emotion, and place in space is opened to new contextual processing. To examine the eye’s interpretation of imagery, I incorporated natural forms of ambiguous figures and conflicting light where nondescript lines conflict with object discrimination beside its simulacra. Moreover, I used prints, measurement and technological displays to explore the photograph and mind, the deceptive nature of photography, and the artificiality of each medium where every photograph must exist.
Visit the artist’s website at https://brianuchiyama.com/
Follow on Instagram @brianuchiyama
"Fragments" is a series of images that documents life in Chinatown in order to convey its resilience during the Coronavirus pandemic. Before the pandemic, the image of Chinatown was lively, spirited, and reminded me of home. However, Chinatown soon entered a dark and discouraging phase with empty streets and struggling businesses. Chinatown had also been the epicenter of anti-Asian attacks, since the virus is often referred to as the “China virus” or “Kung Flu.” As we walk through the streets of Chinatown today, its image of a vibrant, welcoming community seems to shatter into fragments. Through black and white street photography, I aim to provoke the mood of solidarity that people are feeling and going through. Even if the immediate future is not hopeful, people still need to carry on with their lives hoping to see a better tomorrow. Through capturing the bits and pieces of Chinatown today as they battle the consequences of the Coronavirus pandemic, the community is in unison on its path to restoring what it used to be. The resiliency of this community will determine whether Chinatown will overcome this crisis or not.
Visit the artist’s website at www.bensonviews.com
Follow on Instagram @bensonviews
DPI Senior Show One
January 28 – March 1, 2021
Ellie Bates, Matt Bernstein, Natasha Fradkin, Andrés Guerrero, Grace Hinchen, Ayesha Kazim, Shelby Kraut, Rou Leonard, Shina Peng, Katina Pennington, T. J. Rahim
DPI Senior Show Two
March 4 – April 5, 2021
Gabbie Aleksova, Melody Ball, Cydney Blitzer, Pema Dolkar, Chloe Brooke Dugourd, Muhammet Gencoglu, Kavya Krishna, Meghan Marshall, Clara Reed, Brian Uchiyama, Benson Wu
DPI Senior Show Three
April 8 – May 24, 2021
Alyssa Dickinson, Roxy Dierking, Ju Yeon Lee, Elisa Lopez, Alina Patrick, Zoe Shields, Lauren Stone, Steve Wang, Noa Weinzweig, Beste Zan
The DPI Senior Catalog is an annual publication produced by and featuring the works of the entire graduating Photography & Imaging class.
For more information, visit http://tisch.nyu.edu/photo, call 212.998.1930, or email [email protected]